{"id":10253,"date":"2012-05-12T16:10:56","date_gmt":"2012-05-12T14:10:56","guid":{"rendered":"http:\/\/www.simpleplan.cz\/cz\/?page_id=10253"},"modified":"2023-06-26T09:29:58","modified_gmt":"2023-06-26T07:29:58","slug":"hudebni-nastroje","status":"publish","type":"page","link":"https:\/\/www.simpleplan.cz\/cz\/index.php\/kapela\/hudebni-nastroje\/","title":{"rendered":"Hudebn\u00ed n\u00e1stroje"},"content":{"rendered":"
\n
\n
Jeff Stinco<\/center><\/div>\n

<\/center><\/p>\n
Elektrick\u00e9 kytary:<\/div>\n

<\/i> Fender Blacktop Telecaster
\n<\/i> Fender American Deluxe Telecaster HH
\n<\/i>. Fender Limited Edition American Standard Telecaster Channel Bound
\n<\/i> Fender Jeff Beck Stratocaster
\n<\/i> Gibson Les Paul Standards and Customs (\u010dern\u00e1 a b\u00edl\u00e1)
\n<\/i> Stevenson guitars
\n<\/i> Gibson ES-335
\n<\/i> Gibson Les Paul Junior (b\u00edl\u00e1)
\n<\/i> Ernie Ball Music Man StingRay Guitar – Vintage Tobacco<\/p>\n

<\/div>\n
Akustick\u00e9 kytary:<\/div>\n

<\/i> Takamine EF341SC<\/p>\n

\n
Sn\u00edma\u010de:<\/div>\n

<\/i> Takamine EF341SC
\n<\/i> DiMarzio Air Norton
\n<\/i> Air Zone
\n<\/i> Area 67
\n<\/i> Area 61
\n<\/i> Injector Bridge
\n<\/i> PAF\u00ae 36th Anniversary
\n<\/i> PAF\u00ae 36th Anniversary Bridge<\/p>\n

<\/div>\n
Zesilova\u010de:<\/div>\n

<\/i> VOX AC30
\n<\/i> Mesa Boogie 4X12 Traditional Recto Cab – Straight – Red Bronco
\n<\/i> <\/i> Mesa Boogie Lone Star 2×12 Combo
\n<\/i> Mesa Boogie Dual Rectifier Solo Head
\n<\/i> Mesa Boogie Road King Head
\n<\/i> Divided by 13<\/p>\n

<\/div>\n
Struny:<\/div>\n

<\/i> D’Addario EXL140<\/p>\n

<\/div>\n
Dal\u0161\u00ed za\u0159\u00edzen\u00ed:<\/div>\n

<\/i> Lovepedal Eternity Overdrive pedal
\n<\/i> Xotic RC Booster
\n<\/i> Keeley Compressor
\n<\/i> Boss TU-12H Tuner
\n<\/i> Ernie Ball Volume pedal
\n<\/i> Fulltone Choralflange
\n<\/i> MXR EVH Eddie Van Halen Phase 90
\n<\/i> Fulltone Mini Deja Vibe
\n<\/i> T-Rex Replica Delay\/Echo PedalOverall
\n<\/i> Ibanez TS-9 Tube Screamer
\n<\/i> Boss DD-20 Giga Delay
\n<\/i> Boss TR-2 tremolo pedal
\n<\/i> Axess Electronics MFC5 Midi Footcontroller
\n<\/i> Dunlop SW-95 Crybaby Slash Wah Pedal
\n<\/i> Vox Tonelab
\n<\/i> Eventide Eclipse
\n<\/i> Eventide TimeFactor Twin Delay<\/p>\n

„Pou\u017e\u00edv\u00e1m Gibson kytary u\u017e hodn\u011b dlouhou dobu. A pou\u017e\u00edv\u00e1m je tak\u00e9 b\u011bhem koncert\u016f, stejn\u011b jako ve studiu. Na t\u00e9to desce jsme pou\u017e\u00edvali hned n\u011bkolik typ\u016f Gibson kytar – klasickou, Les Pauls Customs, 335 a opravdu se moc hod\u00ed pro ten zvuk, kter\u00e9ho chceme dos\u00e1hnout, tak\u017ee jsem za to opravdu r\u00e1d.“<\/i><\/p>\n

Jeff Stinco
\n(o pou\u017e\u00edv\u00e1n\u00ed kytar zna\u010dky Gibson b\u011bhem procesu nahr\u00e1v\u00e1n\u00ed alba Get Your Heart On!)<\/font><\/center><\/p><\/blockquote>\n

<\/center> <\/p>\n
Sebastien Lefebvre<\/center><\/div>\n

<\/center><\/p>\n
Electrick\u00e9 kytary:<\/div>\n

<\/i> Framus Tennessee
\n<\/i> Framus Mayfield (Pro #293)<\/p>\n

<\/div>\n
Akustick\u00e9 kytary:<\/div>\n

<\/i> Takamine TF450SMSB
\n<\/i> Tanglewood TW45-H-E<\/p>\n

<\/div>\n
Zesilova\u010de:<\/div>\n

<\/i> Framus Dragon (Head a Cab)<\/p>\n

<\/div>\n
Sn\u00edma\u010de:<\/div>\n

<\/i> Seymour Duncan<\/p>\n

<\/div>\n
Struny:<\/div>\n

<\/i> D’Addario EPS 540 (pro prvn\u00ed t\u0159i desky)
\n<\/i> D’Addario EPS 590 (pro Get Your Heart On!)<\/p>\n

<\/div>\n
Dal\u0161\u00ed za\u0159\u00edzen\u00ed:<\/div>\n

<\/i> T-Rex Replica
\n<\/i> T-Rex Tremster
\n<\/i> T-Rex Twister
\n<\/i> Boss chorus pedal<\/p>\n

Sebastien za\u010dal s pou\u017e\u00edv\u00e1n\u00edm Framus kytar typu Pantheras, pot\u00e9 Renegades a nakonec p\u0159e\u0161el k typu Tennessee na nahr\u00e1v\u00e1n\u00ed kytar pro druhou desku Simple Plan – „Still Not Getting Any“, od kter\u00fdch se nakonec p\u0159esunul k Mayfields pro sv\u00e1 \u017eiv vystoupen\u00ed. <\/p>\n

<\/center><\/p>\n
David Desrosiers<\/center><\/div>\n

<\/p>\n
Baskytary:<\/div>\n

<\/i> Fender Precision Bass
\n<\/i> Fender American Pro Precision Bass
\n<\/i> Framus Squier
\n<\/i> Fender Mark Hoppus Jazz Bass
\n<\/i> Fender Jazzmaster<\/p>\n

<\/div>\n
Sn\u00edma\u010de:<\/div>\n

<\/i> Seymour Duncan<\/p>\n

<\/div>\n
Struny:<\/div>\n

<\/i> Dean Markley Blue Steel Bass ML a XM 4<\/p>\n

„Kdy\u017e jsme byli ve studiu a nat\u00e1\u010deli jsme na\u0161i prvn\u00ed desku, str\u00e1vili jsme hodn\u011b \u010dasu porovn\u00e1v\u00e1n\u00edm r\u016fzn\u00fdch kytarov\u00fdch strun. Naslepo jsem zkou\u0161el r\u016fzn\u00e9 zna\u010dky a poslouchal jsem, jak\u00fd byl rozd\u00edl v t\u00f3nech, kter\u00e9 z nich dost\u00e1v\u00e1m, zat\u00edmco jsem hr\u00e1l po\u0159\u00e1d ty sam\u00e9 party dokola. Nakonec jsem se ale v\u017edycky vr\u00e1til k Dean Markley Blue Steel, proto\u017ee ty m\u011bly prost\u011b nejlep\u0161\u00ed zvuk. A to je pro m\u011b hodn\u011b d\u016fle\u017eit\u00e9, proto\u017ee hraju trs\u00e1tkem a miluju, kdy\u017e m\u00e1 ten zvuk po\u0159\u00e1dn\u00fd n\u00e1\u0159ez.“<\/i><\/p>\n

– David Desrosiers –
\n(o pou\u017e\u00edv\u00e1n\u00ed strun Dean Markley)<\/font><\/center><\/p><\/blockquote>\n

<\/center>

<\/center> <\/p>\n
Chuck Comeau<\/center><\/div>\n

<\/p>\n
Velikosti bubn\u016f:<\/div>\n

<\/i> Drum Workshop 22×18 basov\u00fd buben
\n<\/i> Drum Workshop 12×9 tom
\n<\/i> Drum Workshop 14×12 a 16×14 floor tom<\/p>\n

<\/div>\n
Bl\u00e1ny bubn\u016f:<\/div>\n

<\/i> Evans Bass Drum: GMAD Clear\/EQ3 b\u00edl\u00e9 nebo \u010dern\u00e9
\n<\/i> Evans Toms: G2 Clear\/G1 Clear
\n<\/i> Evans Snare: Genera HD Dry\/Hazy 300<\/p>\n

<\/div>\n
\u010cinely:<\/div>\n

<\/i> Zildjian 19″ Z Custom Medium Crash
\n<\/i> Zildjian 14″ A New Beats Hi-Hats
\n<\/i> Zildjian 19″ Z Custom Medium Crash
\n<\/i> Zildjian 19″ Z Custom Medium Crash
\n<\/i> Zildjian 25″ A Sweet Ride<\/p>\n

<\/div>\n
Dal\u0161\u00ed za\u0159\u00edzen\u00ed:<\/div>\n

<\/i> PDP 900 Series stojany
\n<\/i> PDP SP600 Single ped\u00e1l<\/p>\n

Chuckova bic\u00ed souprava je speci\u00e1ln\u00ed p\u0159edev\u0161\u00edm sv\u00fdm m\u00edrn\u00fdm nato\u010den\u00edm jednoho z bubn\u016f doprava. <\/p>\n

„M\u00e1m to tak u\u017e od t\u00e9 doby, co jsem byl mal\u00fd kluk. M\u00edval jsem jednu opravdu levnou bic\u00ed soupravu a nem\u011bl jsem \u017e\u00e1sn\u00fd stojan na sv\u016fj druh\u00fd bube, tak\u017ee jsem ho musel polo\u017eit na sv\u016fj basov\u00fd buben, a trochu ho kv\u016fli tomu nato\u010dit. A tak mi to tak\u00e9 z\u016fstalo, nau\u010dil jsem se takhle hr\u00e1t a p\u0159ijde mi to mnohem p\u0159irozen\u011bj\u0161\u00ed.“<\/i><\/p>\n

– Chuck Comeau – <\/center><\/p><\/blockquote>\n

<\/center>

<\/center> <\/p>\n
Pierre Bouvier<\/center><\/div>\n

<\/p>\n
Akustick\u00e9 kytary:<\/div>\n

<\/i> Takamine TF450SMSB
\n<\/i> Boucher Guitar Cherry Goose<\/p>\n

„V\u00edm, \u017ee se v\u017edycky m\u016f\u017eu spolehnout na svou Takamine kytaru, \u017ee bude zn\u00edt dob\u0159e, a\u0165 u\u017e s n\u00ed budu d\u011blat cokoliv.“<\/i><\/p>\n

– Pierre Bouvier –
\n(ohledn\u011b sv\u00e9ho zvyku h\u00e1zet sv\u00e9mu kytarov\u00e9mu technikovi kytaru p\u0159es cel\u00e9 p\u00f3dium)<\/font><\/center><\/p><\/blockquote>\n

<\/center><\/div>\n<\/div>\n<\/div>\n